I always like to make a great drama out of taking my seat on the train. Even if nobody is watching the scene as I unload my vast supply of travel companions into the small space before me, it gives me a tremendous sense of purpose. On this particular morning, I was experiencing an exuberant rush of energy, which was supplemented by the session of yoga I had been able to get out of bed for, and the power walk to the train station I had been forced into when I once again mistimed my morning, despite living closer to the station than ever before. I expect that my cheeks must have taken on the appearance of undercooked bacon with the physical effort exerted and from the frosty February air as I plonked my baggage onto the empty seat next to mine. From the bag I extracted a silver flask which had been filled with approximately a cup and a half of coffee, an A3 notebook and a pen to record any observations I felt I had to make, a set of earphones, a Tupperware box which was packed with two bananas, two small oranges and some broken up pieces of rye crispbread, and an empty sandwich bag which would be used to discard of the loose peel.
I was feeling pleased with my organisation, and when the train pulled away from the pale platform and Pearl Jam was playing on my Spotify playlist, I opened up the Tupperware to eat the first of my bananas. The oranges rolled out of position as I removed the greenish-yellow shape, and it took me a few attempts to snap each of the four latches on the sides of the lid back into place along the lip of the container. Across the aisle of the carriage, I could see the young woman who was seated opposite me shudder with each failed attempt at securing the snacks. Her face contorted into a soft fury as she glared at me from the corner of her eye. I was beginning to feel anxious that the box would never be properly closed, that the woman with hair the colour of a late winter afternoon would erupt into a volcanic rage by the end of the journey, and that the crispbread would become soft and inedible. Eventually, the lid was fastened safely into place, and the woman opposite me alighted from the train at its first stop in Connel. Commuters hardly ever get off at Connel, and I wondered if the woman had decided on a different mode of transport owing to my lack of tact with the Tupperware.
The snow-peaked fields on the west of Scotland had given way to an icy fog which was leaking profusely by the time I arrived in Edinburgh. It seems that the city’s cobbled streets are always slick with rain, which really makes a person think when they are leaving a bar after wiling away a few loose hours in the afternoon. As I was sitting in the corner of Brass Monkey reading the last couple of chapters of A Confederacy of Dunces, I studied a young university-type as she approached the bar. She enquired to the barman who, according to the observations of native drinkers in the pub, had recently had a haircut, about the possibility of reserving space for seven members of The Fresh Air Society, who were due to meet at 7.45 the following evening. I kept my head in my book, but my eyes were straining upward towards the young woman. I found myself hoping that the society’s fledgling meeting would run late into the night and I could chance upon them after Brian Fallon’s performance at the Usher Hall, for the woman seemed to have a quality which I couldn’t quite describe. She appeared to be a very new and welcome vision.
I was still thinking of The Fresh Air Society on the day of the show when I returned to Glasgow to meet with my two gig-going friends. We arranged to assemble for drinks in The Ark, a bar which is close to Queen Street station and seemed reasonably priced. I was the first of our trio to arrive, and although the place was remarkably busy for four o’clock on a Wednesday afternoon, I was able to find a table. All of a sudden a great sound could be heard rattling against the roof of the building, like handfuls of gravel being tossed against the window of a lover to attract their attention. I turned to look out into the beer garden, where hailstones were furiously lashing the canopies. A sense of relief that I had made it into The Ark when I did flooded over me as I watched the hail continue to fall.
The girls were running later than planned following an incident where a loud-mouthed woman fell up a flight of stairs in a piercing studio, and I went up to the bar to order myself another drink. I removed my black leather jacket and folded it over my stool to indicate that the table was occupied, giving the seat the appearance of a sloppily dressed child. When I returned with a beer in hand, one of the other stools around my table had been furnished with a rucksack which had the handle of a tennis racket protruding from it. Soon a young lady appeared and informed me that I was sitting at her table. I told her, with great pride, that I had been sitting there since before the flood, and the look on her face implied that she didn’t know what I was talking about nor care for my sense of humour. I lifted my buttock to show her the leather jacket I had used to mark my territory, an act which seemed to speak more honestly to her. I apologised and claimed that if I had not been waiting for two other people I would have gotten up and given the table to the girl and her boyfriend, though I wasn’t sure if I was saying that to make her feel better or to absolve myself.
I could sense the cold stare of the couple from somewhere else in the dimly lit bar for the entire time I was sitting at the table by myself. Even when the kaleidoscope of hair arrived and vindicated the story I had told, I felt unable to put my jacket back on, despite the increasing chill around the place. It was the penance I had to pay to make it clear to all onlookers that my jacket was a legitimate placeholder.
After a series of drinks which increased in strength over the hours, from beer to wine to Jagerbombs, the three of us split a bottle of pink gin between three bottles of Sprite and took the train to Edinburgh. We arrived at Usher Hall pleasingly intoxicated as Brian Fallon was taking to the stage, where the frontman of The Gaslight Anthem was performing a solo acoustic show. His ninety-minute show spanned the majority of his career and was enjoyable, although some parts of the set left me feeling underwhelmed, like a steak dinner you have been looking forward to and it is only after eating it that you realise you have forgotten to cook the onion rings.
The night ended in Shakespeare’s, where the answer to the question was to beer, and we enjoyed a final drink before the girls with the spectacularly coloured hair caught the last train back to Glasgow. The rain had stopped by the time I left the bar, though my black leather jacket was still wet and my stomach was in ropes. My day had been riddled with an anxiety I couldn’t understand, and the walk along Princes Street to the hostel I was spending the night in took more than an hour, according to phone records. By the time I had reached the other side of the city it was too late for me to venture to Brass Monkey as intended, and the chances are that no responsible bar person would have served me anyway. It was a sorry end to the night, when all I had been looking for was a breath of fresh air.